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  • 17-year-olds:

    When I have a job I'm gonna have my own apartment and I'm gonna gets lots of tattoos and piercings and I'm gonna go to lots of concerts and oh yeah I'm gonna go backpacking across Europe!!

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    Hey can I borrow a dollar so I can buy some more dollar store macaroni and cheese

littlelarryllama:

So our Western Australian premier, Colin Barnett has passed a bill to cull sharks off our coastline.

He is now proposing to set up shark baits 1km off popular beaches in an attempt to murder more beautiful beasts of the ocean, including the endangered Great White Shark.
Thousands of locals and aussies have protested, campaigned, signed petitions, wrote letters but we aren’t receiving a response.

Please help this issue receive the publicity it deserves.

artchipel:

Curator’s Monday 137

Valerie Hegarty (USA)

Valerie Hegarty’s installations create dream-like transitional spaces and objects that expand and fracture the austerity of an exhibition space while dismantling the constructs of image- and object-making.  Informed by the current turbulent state of our country while also excavating from America’s past, Hegarty’s work often turns the gallery into a dramatic place of change.  Working with fragile materials such as foamcore, paper, paint and glue, she exploits a scrupulous mimicry of objects only to demolish them by devices often associated with their historical significance. On one level the viewer can become overwhelmed with an inquisitive desire to determine what is real and what is constructed and on another, can decide to revel in the make-believe. Hegarty’s ruins suggest a path of destruction and chaos that can be traced from early colonialism to the most recent effects of globalization. Her work portrays a pivotal moment in our narrative – one that is full of pathos yet buoyed by the hope that comes with change. (source: Fountainhead Residency) Our sincere thanks to arpeggia for this Curator’s Monday.

[more Valerie HegartyCurator’s Monday with arpeggia]

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